Author Archives: Kay

All You Need Is Kill – Comic Book Page Joint Podcast

All You Need Is Kill

icon for podpress  All You Need Is Kill [58:04m]: Download from ComicBookPage

John Mayo, of ComicBookPage, and Kay Kellam, of PopArtsPlace, discuss the novel All You Need Is Kill which was adapted both into a manga and the recently released Edge of Tomorrow movie. The entire discussion contains spoilers of the various different versions of the story as we compare and contrast the difference in the story and storytelling across the different versions of the property.

Time Codes:
00:00 Intro
00:36 Spoiler free discussion
06:51 Spoiler filled discussion of the novel, manga and movie
57:31 Wrap up
58:01 End of episode.

Links:
All You Need Is Kill (original novel) @ Amazon.com: http://www.amazon.com/All-You-Need-Is-Kill/dp/1421527618
All You Need Is Kill (movie tie-in novel) @ Amazon.com: http://www.amazon.com/Edge-Tomorrow-Movie-Tie–Edition/dp/1421560879
All You Need Is Kill (manga) @ Amazon.com: http://www.amazon.com/All-Need-Kill-Graphic-Novel/dp/142156081X
Edge of Tomorrow @ IMDB.com: http://www.imdb.com/title/tt1631867/
Discount Comic Book Service: http://www.DCBService.com
Comics Podcast Network: http://www.comicspodcast.com
League of Comic Book Podcasts: http://www.comicbooknoise.com/league/

Email us at TheGuys@ComicBookPage.com

Join the discussion on our forum at: http://forum.comicbookpage.com

This podcast episode originated on the Comic Book Page feed and website: http://www.ComicBookPage.com  see the original podcast listing at Comic Book Page Podcast.

Father Brown

As someone who regularly watch Tom Bosley on Father Dowling in the late 80s, Father Brown, a BBC show currently airing on PBS, is a true delight!  A show that reminds me so much of my old favorite that I was unsurprised to find there was indeed a connection between the source material, though not the connection I anticipated.

This is a show about a British Parish Priest who, much like Father Dowling, just seems to happen upon situations which couldn’t be hurt by the application of his sleuthing mind.  (Well, unless you ask the local inspector.)

While I quickly realized that Father Dowling had been a contemporary piece, and Father Brown is most decidedly a period piece, set several decades ago.  That said, I was still intrigued to discover that Father Brown was written 80 or more years ago.  (Another way to view this relationship of characters, is to note that Ralph McINerny, author of Father Dowling, was 6 years old, when GK Chesterton, author of Father Brown, died.)

When author Ralph McInerny died in 2010, the Telegraph said:

McInerny fashioned Dowling as a spiritual heir to GK Chesterton’s Father Brown, compassionate but not entirely worldly. “His secular interest in crime,” noted one critic, “is merely a mask for his deeper concern for the spiritual welfare of the victims and criminals involved.”

I can not think of a better way to describe both Father Brown and Father Dowling.  Having watched countless shows about detectives who are determined to throw someone in jail, and lawyers who care more about wining than the truth or justice, it is refreshing to spend most of an hour with a character whose central focus is the heart and soul of the characters, the people, around him. Father Brown wishes to solve the mystery, there is no denying that.  Unanswered questions nag at him, and he seeks to resolve the case and figure out the who-done-it.

But his goal is not to throw them in a cell and throw away the key, and given these stories are set in a time when people still hang, perhaps the fact the consequences are presented as being quite extreme helps to further emphasize why the local parish priests intent is to make sure everyone, victims and perpetrators alike, end the episode in the best emotional, and moral situation possible.

Father Brown is currently airing on local PBS stations, more information about the series can be found on IMDB and the BBCs website

The characters are based on the stories of GK Chesterton (1874-1936), many of his works appear to have fallen out of copyright and can now be found on project gutenberg, including some of the Father Brown stories, which I am looking forward to reading.

(If you only have time to try two episodes, I would recommend The Blue Cross, and The Mysteries of the Rosary with the character Flambeau.)

Defiance and C2E2

C2E2-Defiance-Banner-397508_10152296815639577_728554795_n

Defiance Banner from C2E2

This was my first year at C2E2, and hopefully not my last!

The Defiance panel was a prime example of why we decided to attend.  15 minutes before the panel began we got into a line that looked a tiny bit daunting… it was the kind of line you wouldn’t want to get into in San Diego at Comic-Con, for fear you wouldn’t get into the room.  But, at C2E2, that was not a problem.  A little patience, a lot of nice people, a few minutes, and suddenly you find yourself seemingly within 20 or 30 rows of the front of the row.  It was amazing!

A slide flashes across the screen multiple times as you wait for the panel to begin, it isn’t just your standard please be thoughtful and considerate of those around you, but it asks that you avoid recording the panel, and limit yourself to the first 5 minutes of the panel.  I forget the exact wording… but the result was an audience that was focused on the actors on the stage, and what they were saying, not the screens in their hands, or their efforts to capture digital moments to take home and share with others.

Would a couple dozen photos of each actor have been nice?  Sure, Grant Bowler was incredibly charming, and quite eloquent as he pitched the show, and Jaime Murray was entertaining as she talked about the evolution of her process for getting into make up as the season has time has passed, and Tony Curran and Grant Bowler could not resist giving Jesse Rath a hard time when he mentioned the need for 5 handmaidens to help him get OUT of his waterproof make up at the end of each day.  But really, just how much of that laughter, and how many of those megawatt smiles could our cameras have captured?

Instead of dividing our attention between trying to frame candid photos and “get” what they were saying, we heard about how the production team behind Defiance took the time to build 7 blocks of the town.  And while the buildings might just be facades they took the time to consider what kind of people, culturally yes, but beyond that situationally, would be building them, which is why a lot of the buildings are built out of recycled materials.  Old containers, and train cars and the like.

And the actors talked about how it feels to truly be able to WALK between the buildings and stroll along these seven blocks instead of having a tightly confined area in which to do each scene.

Jesse Rath got off a particularly nice nod to a fandom when Grant Bowler was asked about the inspirations he drew on to create his character, lawkeeper Nolan, and he was talking about Han Solo, and Indiana Jones, and a lot of old western heroes, and a lot of great, brown coat wearing figures through the years, and how you would see them, and their brown coats… and Jesse Rath perked up and asked, “so you’re saying you’re a brown coat?”  That was just one of the many moments when it was clear that this cast was in tune with their audience, and one another.

Jesse Rath mentioned working on a series of Behind The Scenes videos that sound very interesting, and also mentioned the very interesting experience of realizing that many of his co-workers were so accustomed to seeing him in his alien make-up that they did not recognize him out of it.

For those who aren’t aware, there is currently a free book for Kindle (I haven’t checked to see if it is available for other eReaders, called Defiance the Essential Guide, which among other things has a basic run down of the characters, where buildings are in relationship to each other, and might be a nice way to refresh our memories between season 1 and 2, which has had a longer than average hiatus.

Grant Bowler did mention that Season 2 will have a lot more intensity to it.  That where Season 1 was establishing the world Season 2 will be moving forward, which on the one hand I was happy to hear, but on the other hand, I’m not entirely convinced I want.  I enjoyed Defiance in part because it was a light, fluffy show.  I didn’t have to pay attention to a thousand and one plot threads, but instead I was able to tune in each week, and escape into this alternate version of Earth, in the future, and just wonder, what if.  It was… relaxing sci-fi.  And for that, I enjoyed it immensely.

We shall see what Season 2 holds.

C2E2 2014 Chicago Exhibit Hall Floor

2014 C2E2 Exhibit Hall Floor

2014 C2E2 Exhibit Hall Floor

The exhibit hall floor of Chicago Comic & Entertainment Expo (C2E2) is a manageable size.  Easy to cover in the course of one day, a floor where you can see something of interest, and remember where it is so you can go back and find it again later, but big enough to find a wide variety of interesting booths.

As for the artist’s alley?  It is excellent!  A large area full of very talented people.  This is a section of the exhibit hall that was filled with foot traffic throughout the three days of the convention, and with good reason.  Every section of table had excellent art on display, and the countless opportunities existed to get a sketch from favorite artists, or new discoveries.

Artists Alley

Artists Alley

One of my favorite aspects of the exhibit hall floor was the elevated food court, where you could not only take a break and grab a snack, but get an overview of the rest of the exhibit hall.  The ability to get a sense of the scale of the exhibit hall floor, see where things were in relation to one another… and see a drone being flown by one of the booths!