Tag Archives: PBS

A Moment of Reflection

Below is a powerful segment Tom Brokaw aired this week.

George Takei commented on Pearl Harbor Day (Dec 7, 2015)  “we remember the mistakes of the past so as not to repeat them. Honor history, honor the fallen, and work always toward peace, friends.”

I would love to see PBS work with George Takei to make a GREAT PERFORMANCES l PBS special of Allegiance – A New Musical so the entire country can see this powerful story he is sharing.

Media Matters for America posted this on facebook:

This is one of the most powerful segments we’ve ever seen. Tom Brokaw compares Donald Trump’s call to bar Muslims from America to Japanese internment, Nazi Germany, McCarthyism, and Jim Crow – and he didn’t stop there. This amazing video is well worth taking a moment to watch, via NBC News

Reign – CW – More Than Meets The Eye

Ashford Castle, County Mayo Ireland - used for Castle exteriors in the pilot of Reign

Ashford Castle, County Mayo Ireland – used for Castle exteriors in the pilot of Reign

CW’s Reign is an easy show to dismiss or overlook, if viewed from a certain perspective.  This is not a history channel documdrama, or a PBS presentation of the life and times of Mary, Queen of Scots.  The first trailers for Reign were so whimsical and fantastical that I was actually drawn to the show thinking it was fantasy as opposed to based on a specific historical figure.

(C) The CW Network, Adelaide Kane as Mary Queen of Scots

(C) The CW Network, Adelaide Kane as Mary Queen of Scots

Season 1 follows several of the key benchmark moments from Mary, Queen of Scots, life, with facts adjusted slightly to make them more palatable to a modern audience (forgive me, I would not care to watch a show in which fourteen year-old children were pressed into marriage by political minded monarchs) and the intrigue and politics of court feel less true to one specific court, but more like the writers have drawn from all the courts of Europe, probably over a period of time, and brought the most interesting rumors, truths, sensations, and possibilities all to bear in one show.

(C) CW Network, Toby Regbo as Prince Francis

(C) CW Network, Toby Regbo as Prince Francis

I did not go into Reign expecting a historically accurate or factual accounting of Mary, Queen of Scots, life, and perhaps that is why I have enjoyed the show more than some other reviewers I’ve run across.  In the 16th century life was considerably different from the world we now live in, and I do not merely mean they lacked the technology we now take for granted.  One character has younger sisters who are relying on her to make a “good match” and “marry well,” the family’s future, their hopes and aspirations, rest on the shoulders of the daughter they have sent to court.

It was a time when a great many men viewed their wives as property, and women could bring land and wealth to a marriage, but once they spoke their vows (whether that was done by their choice or not) what they brought with them was no longer theirs.  It is these aspects of the 16th century, among others, that Reign is presenting in a compelling and dazzling manner.  Highlighting the glitz and glamour of the time, as well as the perils, dangers, and some of the realities (as well as some creative twists that hopefully will play out well.)

The Season 1 DVD includes two wonderful behind the scenes features.  In Reign: The Making of a Queen there is discussion not only about how the show was made, but also about a hope that the viewers will investigate the life of Mary, Queen of Scots, for themselves, discovering where the line between fact and fiction has been crossed.  That is a hope I share.

(C) CW Network, Torrance Coombs as Sebastian

(C) CW Network, Torrance Coombs as Sebastian

To that end, I think Reign could be used quite compellingly by some creative teachers to intrigue students about the life of Royals and policy makers of the 16th century, and then get these students investigating where the show stuck to the facts, and where they took creative license.

King Henri’s mistress, Diane de Poitiers, is an intriguing woman, who had two daughters with a husband who died in 1531, probably after she had been involved with King Henri’s father for several years… yes, in real life she was quite a bit older than Henri, and she was a distant relation of Catherine de Medici, Henri’s wife.  A sentence that lies somewhere between fact is stranger than fiction, and that is why the lives of Royals of the 16th century make such excellent fodder for a show like Reign.

Diane did not have a son with Henri, but some believe she might have had a daughter with him.  And she made certain the King and Catherine de Medici produced 10 legitimate heirs, including three Kings of France – Francis II, Charles IX, and Henry III.  Henri’s daughter Elisabeth married the King of Spain, and his daughter Margaret married the King of Navarre who later became King Henry IV of France.

As I said, the Royal Courts, and families, were ripe with material for a show such as Reign, I simply feel the writers have not limited themselves to the life and times of Mary, Queen of Scots, and her peers / playmates, but rather the show has done an excellent job of portraying the concept of what such a life was like, and would be equally fascinating and compelling if it were placed in a mythological place where things happened to bear this same strong resemblance to real life events and times.

(C) CW Network, Adelaide Kane as Mary Queen of Scots

(C) CW Network, Adelaide Kane as Mary, Queen of Scots

The Authenticity of Reign: Recreating the 16th Century talks about the amazing sets, the castles used in the pilot vs. the sets that were constructed for the first season, and the fantastic wardrobe worn week after week.  There have been a few gowns that have left me wondering if that could really have been made in the 16th century, and yet they were so strikingly beautiful, and so decadently upper-class and beyond the realm of possibility to a mere peasant, that in that part of me that still views the show more as fantasy and less as derived from the life of true people, I forgive them for the abundant use of modern fabrics, embellishments, and sewing machines — perhaps also in part because they have maintained the styles, the necklines and hems, and the sense of the 16th century even while adding that modern flair.

The music during the episodes is an interesting contradiction, similar to the clothing.  When the characters are dancing in the ballroom it sounds very 16th century, and yet the background music often has a very 21st century sound to it… and somehow this shift between styles works for the show.  Someone is carefully balancing the two, not blasting headbanging music, but giving modern zip and swing to action scenes in a manner that is undoubtedly keeping the CW audience in tune.

I remain convinced Reign is predominantly fantasy, and happens to share the names of historical figures I recall from my school days.  I hope there are some clever teachers out there using this show to capture their students imagination and teach them about a harsher time in our past, both in terms of the plague, the dark ages that led into the Renaissance, and the politics and intrigues of Royal courts.   Reign does a beautiful job of alluding to real historical events, such as the death of King William II, aka William Rufus of England.  (I believe the link is along the lines of, It wouldn’t be the first time a King died in a hunting accident.)

On 2 August 1100, King William II organized a hunting trip in the New Forest. William was presented with six arrows, on the eve of the hunt; taking four for himself, he handed the other two to Walter Tirel, saying, “Bon archer, bonnes fleches” (“[To the] good archer, the good arrows.”)

On the subsequent hunt, the party spread out as they chased their prey, and William, in the company of Tirel, became separated from the others. It was the last time that William was seen alive.

In their search for prey, according to chroniclers, Tirel let loose a wild shot at a passing stag. However, instead of striking the stag as intended, the arrow pierced William in the chest, puncturing his lungs.  King William Rufus died instantly.

Reign CompleteSeason1When it comes to Entertainment, Reign fits the bill with high marks!  While I would enjoy learning the true story and details of the life of Mary, Queen of Scots, with access to the internet a part of most people’s daily lives, Reign is a show that can easily inspire those of us who have forgotten the ins and outs of her turn as a Monarch to spend an afternoon on-line, refreshing our memories, and exploring a century gone-by.  As for the show, it’s a once a week guilty pleasure, a chance to set the modern world aside, forget our troubles and electronic leashes, and be reminded just how easy we have it in so many ways.

Reign returns for a second season Oct 2 at 9 PM / 8 Central on the CW.

Season 1 of Reign is available on DVD now, 22 episodes running 916 minutes

PBS The Roosevelts

Ken Burns might well be the current King of documentaries on television.  This week on PBS stations around the country his 14 hour epic coverage of The Roosevelts is airing, covering over 100 years of the family, from the birth of Theodore in 1858 to Eleanor’s death in 1962.


Continuing one of my favorite aspects of public broadcasting today, on the website teachers can find lesson plans and materials to accompany the program.

There are been a great many Americans, and American Families that have played significant roles in the history of our country.  On the PBS website they capture, in a nutshell why Theodore Roosevelt, Franklin Roosevelt, and Eleanor Roosevelt deserve 14 hours worth of attention over the course of 7 nights:

Together, these three individuals not only redefined the relationship Americans had with their government and with each other, but also redefined the role of the United States within the wider world.

The series encompasses the history the Roosevelts helped to shape: the creation of National Parks, the digging of the Panama Canal, the passage of innovative New Deal programs, the defeat of Hitler, and the postwar struggles for civil rights at home and human rights abroad. It is also an intimate human story about love, betrayal, family loyalty, personal courage and the conquest of fear.

Narrated by Peter Coyote. Meryl Streep is the voice of Eleanor Roosevelt, Edward Herrman the voice of Franklin Roosevelt, and Paul Giamatti the voice of Theodore Roosevelt. Patricia Clarkson is the voice of FDR’s devoted cousin, Margaret “Daisy” Suckley. Other voices include Adam Arkin, Keith Carradine, Kevin Conway, Ed Harris, John Lithgow, Josh Lucas, Carl Lumbly, Amy Madigan, Carolyn McCormick, Pamela Reed, Billy Bob Thornton and Eli Wallach.

PBS Snapshot Lessons on the Roosevelts

PBS Lesson Plans to accompany The Roosevelts

Father Brown

As someone who regularly watch Tom Bosley on Father Dowling in the late 80s, Father Brown, a BBC show currently airing on PBS, is a true delight!  A show that reminds me so much of my old favorite that I was unsurprised to find there was indeed a connection between the source material, though not the connection I anticipated.

This is a show about a British Parish Priest who, much like Father Dowling, just seems to happen upon situations which couldn’t be hurt by the application of his sleuthing mind.  (Well, unless you ask the local inspector.)

While I quickly realized that Father Dowling had been a contemporary piece, and Father Brown is most decidedly a period piece, set several decades ago.  That said, I was still intrigued to discover that Father Brown was written 80 or more years ago.  (Another way to view this relationship of characters, is to note that Ralph McINerny, author of Father Dowling, was 6 years old, when GK Chesterton, author of Father Brown, died.)

When author Ralph McInerny died in 2010, the Telegraph said:

McInerny fashioned Dowling as a spiritual heir to GK Chesterton’s Father Brown, compassionate but not entirely worldly. “His secular interest in crime,” noted one critic, “is merely a mask for his deeper concern for the spiritual welfare of the victims and criminals involved.”

I can not think of a better way to describe both Father Brown and Father Dowling.  Having watched countless shows about detectives who are determined to throw someone in jail, and lawyers who care more about wining than the truth or justice, it is refreshing to spend most of an hour with a character whose central focus is the heart and soul of the characters, the people, around him. Father Brown wishes to solve the mystery, there is no denying that.  Unanswered questions nag at him, and he seeks to resolve the case and figure out the who-done-it.

But his goal is not to throw them in a cell and throw away the key, and given these stories are set in a time when people still hang, perhaps the fact the consequences are presented as being quite extreme helps to further emphasize why the local parish priests intent is to make sure everyone, victims and perpetrators alike, end the episode in the best emotional, and moral situation possible.

Father Brown is currently airing on local PBS stations, more information about the series can be found on IMDB and the BBCs website

The characters are based on the stories of GK Chesterton (1874-1936), many of his works appear to have fallen out of copyright and can now be found on project gutenberg, including some of the Father Brown stories, which I am looking forward to reading.

(If you only have time to try two episodes, I would recommend The Blue Cross, and The Mysteries of the Rosary with the character Flambeau.)